Hello Brenda
and welcome to Romancing the Novelist. I always wonder what draws my guest, as
a reader, to the romance genre?
I read for fun. Like most women, I have
a pretty busy life, with a full-time job and a growing family. When I finally get a few moments to
myself I want to spend time with people who are interesting and entertaining,
who I care about. I tend to read mostly Regency and Contemporary romances, and
when I open one I am sure of one thing – there is going to be a happy ending!
So I can relax and get into the story, knowing I am not going to be angry and
frustrated at the end.
What is the most difficult part of writing a love story?
I want all my characters to have their
happily ever after. But I don't like the idea of putting them through anxiety
and pain on their way there. However, it would make for a pretty short (and
boring) romance if the character met, fell in love and rode off into the
sunset, without at least a few trials and tribulations. In a good romance, characters need to
grow and change before they can enjoy their happy ending – but I feel bad making
them struggle.
I have
difficulty with that too. Inflicting pain on characters I ultimately love is
hard.
Is creating a
book title easy for you? Tell us about the process.
No! It is very hard!
I equate it to naming your child.
Lots of names are good enough, but you want one that describes that
child, one that is unique in some way.
The same thing with a book title.
During the writing of my first novel, it was simply labelled “Mountain”
- because pivotal scenes took place on one. When it came time to send it out to publishers, I realized
that single, bald word didn't exactly promote my creativity. In a panic, I added the word “Fire”,
which in retrospect seems particularly appropriate, as the word could apply to
the passion between my main characters as well as to a forest fire that take
place during the novel. My work in
progress takes place on a television reality show. Guess what it's working title is? Yup. “Reality
Show”. I've really got to work on
that!! :)
Agreed. The title is like naming a child - difficult to change after the fact. Do your characters love the direction you take for them or do they have other ideas?
I haven't had too many arguments with
my characters. But that's only
because I don't notice they've changed things until it is much too late to go
back! I am still very new at the
novel-writing business. My first novel was written over such a long period of
time that my characters had the chance to alter their own stories, simply
because I didn't really remember where I wanted to go with them. In my second manuscript, I did a lot
more planning before I began to write, and that did help keep them on
track. But I find that if I get
stuck, all I have to do is ask my characters what they they think should do
next, and usually they come up with something!
Any tips for writers that you'd love to share?
Just this – write. Don't talk about writing, don't think about writing, don't
get bogged down in studying how to write.
Get your butt in the chair and your fingers on the keyboard and
write. The only way you'll get to
the end of your book is to keep putting one damn word after another (with a nod
to Lawrence Block).
Tell us about
your next book.
My next book features a fiercely
independent woman who works as production assistant on a reality show (think
“Iron Chef” meets “The Bachelor”) who falls in love with the bachelor himself.
If anyone found out, she could be fired, and as the sole provider for her aging
and ill grandmother she can't let that happen. She avoids him as much as possible – but he has other ideas,
of course!
Maybe your readers can help me
out. At the moment, the most
exciting title I have come up with is “Reservations for Two” (which is also the
name of the TV show) but a quick Google search shows tons of books with the
same title, and I'd prefer something unique. I'm willing to take suggestions! Leave them in the comments – if I end up choosing one of the
suggested titles, I've got some swag I can send the lucky commenter (pens,
notepad, candy, book mark – that sort of thing).
Thanks so much for letting me visit
today! I'd like to return the
favour by having you visit on my blog.
So if any readers would like to see how you answer your own questions,
feel free to drop by www.brendamargriet.com/blog on Sunday, March 17th!
Brenda is
thrilled to announce her debut romantic suspense, MOUNTAIN FIRE, is now
available from The Wild Rose Press in both print and digital formats! Links to where to buy, including
Amazon, Kobo, Nook and more are posted on her website www.brendamargriet.com .
Synopsis:
A mountaintop mystery leads two conservationists to dangerous
obsessions and violent passions.
Natural resources student June Brandt climbs Longworth Mountain for some alone time. But when Conservation Officer Alex Weaver arrives to look into the death of a grizzly bear, June is caught up in the investigation--and fascinated by Alex.
Alex is attracted by June's competence and coolness under fire--as well as her lithe body and honey-blonde hair. Although their mutual interest in protecting the natural wonders of the area brings them together, they soon realize they view love from very different angles. He offers passion and pleasure, but June wants more.
When one of Alex's colleagues is murdered, June and Alex must work together to find the poacher before other lives are lost. And Alex must look deep inside to discover if he can give June what she deserves.
Natural resources student June Brandt climbs Longworth Mountain for some alone time. But when Conservation Officer Alex Weaver arrives to look into the death of a grizzly bear, June is caught up in the investigation--and fascinated by Alex.
Alex is attracted by June's competence and coolness under fire--as well as her lithe body and honey-blonde hair. Although their mutual interest in protecting the natural wonders of the area brings them together, they soon realize they view love from very different angles. He offers passion and pleasure, but June wants more.
When one of Alex's colleagues is murdered, June and Alex must work together to find the poacher before other lives are lost. And Alex must look deep inside to discover if he can give June what she deserves.
Excerpt:
"Good god," he whispered. “It's my fault.”
"No!" she said urgently. “No, that's not what I
meant. Listen to me, Alex.” She broke free of his grasp and raised her hands to
his cheeks, forcing him to meet her eyes. “It's not your fault, Alex. The only
one to blame is the person who killed John. But you have to see...you have to
realize...it could have been you. And the note...maybe it was supposed to be
you.” He fought back the dizziness threatening to engulf him, struggled to
concentrate on her words through the roaring in his ears. “You have to be
careful. You have to take care. Because it can't happen...I can't lose you.”
She repeated it. “I can't lose you. Not now. Not ever.”
He stared into her
brilliant blue gaze, saw fire and courage and something else he was afraid to
define, then wrapped his arms around her and held on, drawing strength from her
warmth, her slender softness.
"Come to me.” He whispered in her ear, so
softly it was barely a breath. “Come to me tonight.”
Unable to deny
himself another taste of her mouth, his lips met hers fiercely, grinding
against her teeth until her mouth opened instinctively and their tongues
twisted together, tasting, teasing. He crushed her against his body, hands
sliding up and down her back, from buttocks to shoulders, melding her to fit
his lean frame. “I need you, June.” Desperation filled him, undeniable and
indefensible. “It's your call. Your decision. But I want you so bad. I...” he
faded to a stop, pressed his mouth to hers. “Come to me.”
Her breath caught
in her throat, and trembled out on a sigh. She nodded. “Tonight.”
Visit Brenda Margriet's Website
Visit Brenda Margriet's Website